Page: 
Source: 
p. 2, b. 31-66
p. 1, b. 1-30
p. 2, b. 31-66
p. 3, b. 67-95
Main text
Main text
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 48

No mark in FC & FE (→EE)

Staccato dot in GE

In the main text we include the revision of GE, since an accidental oversight of a staccato dot in this bar seems almost certain, since it was already from bar 31 that Chopin started providing all bass notes held with pedal with dots – in FC or FE or in both (cf. bars 31-39, 49-53 and 55-56). As this rule naturally follows from the pianistic texture, the only exception in the form of the discussed bar is totally unjustified.

Compare the passage in the sources»

category imprint: Differences between sources

issues: GE revisions

notation: Articulation, Accents, Hairpins

Missing markers on sources: FC, FE1, FED, FES, GE1, GE2, EE1