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Issues : Authentic corrections of FE
b. 9-10
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composition: Op. 30, Mazurka in D♭ major
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The category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 17-19
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composition: Op. 30, Mazurka in D♭ major
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The differences in the range of the category imprint: Differences between sources issues: Scope of dynamic hairpins , Authentic corrections of FE , Authentic corrections of FC |
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b. 31-39
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composition: Op. 30, Mazurka in D♭ major
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All pedal markings in these bars are written in FC in Chopin's hand, which means that the same markings in FE were added in the stage of proofreading this edition or to the basis thereof. category imprint: Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 40
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composition: Op. 30, Mazurka in D♭ major
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Both versions may be authentic – Chopin would write groups of small notes both as occupying a certain part of the bar and beyond the bar, cf., e.g. the Concerto in F minor, Op. 21, II mov., bar 26 and 30-31 and 33. On the other hand, one of them may be erroneous, but it is not so important in this context, since a difference in notation does not significantly influence the performance. In the main text we suggest a minim due to a possibility of a correction by Chopin in FE (→EE). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 41
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composition: Op. 30, Mazurka in D♭ major
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The ben legato indication visible in FE (→EE) under the L.H. part is most probably a Chopinesque explanation of the vague abbreviation b. legato used in FC, which in GE – probably due to uncertainty as to its meaning – was replaced by legato. In the main text we move this indication – in the form used in FE – over the L.H. part, since it is particularly the two top voices in the chords that can be performed legato. category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE , Inaccuracies in FC |