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Issues : Authentic corrections of FE
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b. 57
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composition: Op. 30, Mazurka in D♭ major
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In the main text we include the category imprint: Differences between sources; Editorial revisions issues: Authentic corrections of FE |
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b. 68-69
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composition: Op. 30, Mazurka in D♭ major
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The missing tie to f1 in FE (→EE) may be simply an oversight by the engraver. However, one cannot rule out that this version could be authentic or even later than the version with a tie, if Chopin removed it while proofreading FE. The reason for a possible correction could be a more exact rhythmic and melodic inner analogy between the phrases in bars 57-64 and 65-72 – in the former, both four-bar sections begin from tied sixths (bars 57 and 61), whereas in the latter – from a played note in the bottom voice (bars 65 and 69). category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 73
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composition: Op. 30, Mazurka in D♭ major
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The accent could have been overlooked by the copyist or added in the stage of proofreading FE. category imprint: Differences between sources issues: Authentic corrections of FE , Errors of FC |
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b. 75
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composition: Op. 30, Mazurka in D♭ major
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The category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 95
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composition: Op. 30, Mazurka in D♭ major
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Both versions – with or without fermatas – may be authentic, whereby fermatas, if added by Chopin in the stage of proofreading FE, would be his latest decision. Both versions also seem musically attractive – longer reverberation of the D category imprint: Differences between sources issues: Authentic corrections of FE |
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