Page: 
Source: 
p. 4, b. 32-64
p. 1
p. 2
p. 3, b. 1-31
p. 4, b. 32-64
p. 5
FC - Fontana's copy
Main text
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
FC - Fontana's copy
FE - French edition
FE1 - First French edition
FED - Dubois copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Revised impression of GE1
EE - English edition
EE1 - First English edition
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF FC - Fontana's copy


  b. 64

FC (→GE)

FE (→EE)

This is the most significant difference between the authentic sources – FC and FE – in entire opus 30. The FE (→EE) version, which is a clear improvement of the Mazurka ending, must have been introduced by Chopin in the proofreading of or in the basis for FE instead of the FC (→GE) version.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Accompaniment changes, Authentic corrections of FE, Bass register changes, Main-line changes

notation: Pitch

Missing markers on sources: FC, FE1, FED, FES, GE1, GE2, EE1