Issues : Enharmonic corrections
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b. 7
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composition: Op. 29, Impromptu in A♭ major
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Before the 6th quaver one can see a crossed out flat in A. Allegedly, at first Chopin wanted to write g category imprint: Corrections & alterations issues: Deletions in A , Enharmonic corrections |
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b. 15
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composition: Op. 29, Impromptu in A♭ major
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Before the 11th quaver there can be seen a deletion in A; the deleted sign was probably an accidental. category imprint: Corrections & alterations issues: Deletions in A , Enharmonic corrections |
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b. 17
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composition: Op. 29, Impromptu in A♭ major
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In A Chopin changed the notation of the 1st and 3rd notes from c category imprint: Corrections & alterations issues: Enharmonic corrections |
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b. 27
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composition: Op. 29, Impromptu in A♭ major
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Chopin started to write the 4th quaver in A as a c2, however, he eventually opted for a d category imprint: Corrections & alterations issues: Corrections in A , Enharmonic corrections |
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b. 28-30
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composition: Op. 29, Impromptu in A♭ major
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On the 4th and 10th quavers in A there are visible deletions and corrections of notation from e category imprint: Corrections & alterations issues: Deletions in A , Enharmonic corrections |
2.
1. The unnecessary accidentals in the 2nd triplet in the bar are remains of the original notation.
2, converting the originally written head of the note into a double flat.