



Issues : Annotations in FEO
b. 18
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composition: Op. 12, Variations in B♭ major
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The line illustrating the direction of the separated accompaniment voice was added – most probably by Chopin – in FEO. category imprint: Differences between sources |
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b. 74
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composition: Op. 12, Variations in B♭ major
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The fingering digits – 1 over f2 and 3 over f – were almost certainly added by Chopin to FEO. category imprint: Differences between sources; Editorial revisions |
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b. 86-87
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composition: Op. 12, Variations in B♭ major
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Taking into account the slurs over all subsequent similar motifs, we consider the slur added – most probably by Chopin – to FEO to be a correction of a mistake and put it directly in the main text. category imprint: Differences between sources; Editorial revisions issues: Annotations in teaching copies , Errors in FE , Annotations in FEO |
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b. 102-105
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composition: Op. 12, Variations in B♭ major
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In the main text we include – in a variant form – the R.H. slurs entered most probably by Chopin between bars 102-103 and 104-105. Taking into account their convergence with the principal slurring pattern in this variation, we suggest adding respective slurs in the L.H. part as well. category imprint: Differences between sources; Editorial revisions |
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b. 114
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composition: Op. 12, Variations in B♭ major
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In FE1 (→GE1,EE) there is a g1-d2 fifth on the 5th quaver in the bar. Chopin corrected it to a g1-c2 fourth in FEO; a similar correction was also introduced by GE2. category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , GE revisions , Annotations in FEO , Errors repeated in GE , Errors repeated in EE |