Issues : Annotations in FEO

b. 140

composition: Op. 19, Bolero

Fingering in FEO, literal reading

Fingering in FEO, probable interpretation

Fingering in FEO, possible interpretation

No teaching fingering

..

The interpretation of the fingering written in FEO is not certain. The digits written therein imply a division of the passage between the hands, different from the one following from the printed layout of beams; however, it was not marked in any way – all digits are above the notes. Therefore, it cannot be excluded that, on the 2nd crotchet in the bar, digits for the 2nd and 3rd semiquavers were swapped by mistake. 

category imprint: Graphic ambiguousness; Differences between sources

issues: Annotations in teaching copies , Annotations in FEO

b. 141

composition: Op. 19, Bolero

Fingering in FEO

No teaching fingering
 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEO

b. 141

composition: Op. 19, Bolero

Fingering in FEO

No teaching fingering
 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEO

b. 143-147

composition: Op. 19, Bolero

Fingering in FEO
 

No teaching fingering
 

..

In the main text, we give a fingering coming probably from Chopin, added in pencil in FEO under the last and first quavers in the L.H.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEO

b. 154-155

composition: Op. 19, Bolero

Fingering #WfS

Fingering FEO

Fingering from FES & FEO

No teaching fingering
 

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES , Annotations in FEO