mUltimate Chopin

Text Compare Notes Sources Description

Issues : Rhythmic errors

b. 46

composition: Op. 10 No 2, Etude in A minor

..

In CLI the rest was omitted, hence the bar has only 7 quavers.

category imprint: Interpretations within context; Differences between sources

issues: Rhythmic errors , Errors of CLI

b. 46

composition: Op. 10 No 7, Etude in C major

..

In A there is no dot extending the minim, which is a patent error, corrected in FE (→GE,EE).

category imprint: Differences between sources

issues: Rhythmic errors , Errors of A , Authentic corrections of FE

b. 46

composition: Op. 25 No 10, Etude in B minor

 (error) in GC (→GE1)

 in FE & EE

 in GE2 (→GE3)
..

The erroneous value of the bass e – double dotted minim – written in GC (→GE1) was probably supposed to, according to Chopin's intention, provide a simultaneous decay (before the rest) of all three voices. Therefore, in the main text we suggest a relevant notation, introduced in GE2 (→GE3).

category imprint: Interpretations within context; Differences between sources

issues: GE revisions , Rhythmic errors , Errors of GC

b. 47

composition: Op. 43, Tarantella

..

In A the last note in the bar in the LH part is not dotted. In the copies and subsequent editions the augmentation dot was supplemented. 

category imprint: Differences between sources

issues: Rhythmic errors , Errors of A

b. 48

composition: Op. 43, Tarantella

EE, GE4

A, FC3 (→FE→IE), GE1 (→GE2→GE3)
..

In all sources exept GE4 and EE the crotchet beginning the second half of the bar in RH is mistakenly notated without an augmentation dot. Compare annotation in b. 4.

category imprint: Differences between sources

issues: Rhythmic errors , Errors of A