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Issues : Errors resulting from corrections
b. 34
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composition: Op. 27 No 2, Nocturne in D♭ major
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The deletion in A allows one to see that originally Chopin wrote the sixth e2-c sharp3 as the 3rd quaver of the bar. The change was probably made after the whole bar had been written in - the proof of that is the category imprint: Corrections & alterations issues: Corrections in A , Errors resulting from corrections |
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b. 34
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composition: Op. 27 No 2, Nocturne in D♭ major
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All the sources have the unnecessary category imprint: Editorial revisions; Source & stylistic information |
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b. 36
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composition: Op. 28 No. 5, Prelude in D major
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Just like in b. 34-35, Chopin changed the pitch of the 2nd and 4th notes in A from g1-f category imprint: Differences between sources; Source & stylistic information issues: Corrections in A , Errors resulting from corrections , GE revisions , Deletions in A |
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b. 38
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composition: Op. 10 No 3, Etude in E major
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Before the top note on the 7th semiquaver, the category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors resulting from corrections , GE revisions , Errors of A |
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b. 39
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composition: Op. 11, Concerto in E minor, Mvt I
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category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Corrections in A , Errors resulting from corrections |