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Issues : Dotted or even rhythm
b. 71
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composition: Op. 64 No 2, Waltz in C♯ minor
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Replacing even values with a dotted rhythm is one of the most frequently encountered rhythmic diversifications in Chopin's music. All notes in the R.H. are placed in A exactly above the crotchets in the L.H., which may mean that Chopin introduced this diversification already after having written the earlier version, as a correction (similarly, in bar 77). category imprint: Differences between sources; Corrections & alterations issues: Dotted or even rhythm |
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b. 72
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composition: Op. 63 No. 1, Mazurka in B major
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The g category imprint: Differences between sources issues: Errors in FE , Terzverschreibung error , GE revisions , Dotted or even rhythm |
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b. 74
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composition: Op. 63 No. 1, Mazurka in B major
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Unlike in bar 70 and 72, in this case AI has a version with a rest and a semiquaver, while FE (→GE,EE) – a quaver. category imprint: Differences between sources; Corrections & alterations issues: Dotted or even rhythm |
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b. 78
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composition: Op. 50 No. 1, Mazurka in G major
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The quavers in the L.H. top voice might be a mistake of GE, since due to the parallel movement, the voices are not independent. In the entire Mazurka a similar combination of L.H. quavers with R.H. dotted rhythm appears only twice, in b. 47 and 54. In both cases the voices co-create the polyphonising texture and are clearly independent. category imprint: Differences between sources issues: Errors in GE , Dotted or even rhythm |
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b. 81
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composition: Op. 63 No. 1, Mazurka in B major
category imprint: Differences between sources; Corrections & alterations issues: Dotted or even rhythm |