Issues : Bass register changes
|
b. 168-170
|
composition: Op. 2, Variations, complete
..
As in b. 128-131, the fact that the bass line was not doubled an octave lower in AsI may be just a simplified version of notation. In A the doubled line was marked with con 8va, which was elaborated in the editions. category imprint: Differences between sources; Corrections & alterations issues: Bass register changes , Abbreviated octaves' notation |
||||||||
|
b. 200-203
|
composition: Op. 2, Variations, complete
..
As in bars 128-131, in A the L.H. octaves are written down in an abridged manner with the use of con 8va. In the editions the octaves were written out in full. The absence of this indication in AsI could be merely a simplification of notation. category imprint: Differences between sources; Editorial revisions; Source & stylistic information issues: GE revisions , Bass register changes , Abbreviated octaves' notation |
||||||||
|
b. 207
|
composition: Op. 2, Variations, complete
..
In the stage of proofreading FE, the ending of this tutti underwent a similar change as in the previous variation. Eventually, in the version for one piano, all four endings – of the Theme and the first three variations – were given a similar form, with a chord in a higher register (in open position) on the 2nd quaver and a doubled or tripled b category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Authentic corrections of FE , Bass register changes , Main-line changes |
||||||||
|
b. 228-230
|
composition: Op. 44, Polonaise in F♯ minor
..
In AImaz the bass line is led an octave higher – f category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Bass register changes |
||||||||
|
b. 239-240
|
composition: Op. 44, Polonaise in F♯ minor
..
In AImaz the bass sequence is placed an octave higher than in the final version, in which the interval of a tenth between the bass and the bottom notes of the R.H. chords is also kept in b. 180-181. category imprint: Corrections & alterations; Source & stylistic information issues: Bass register changes |
root on the third one.
-B-e.