Issues : Accompaniment changes
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b. 224
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composition: Op. 44, Polonaise in F♯ minor
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On the 2nd and 3rd beats of the bar one can see corrections of the bottom R.H. notes in AImaz the result of which is not entirely clear. The crotchet on the 2nd beat could be interpreted as d2-a2 or c category imprint: Graphic ambiguousness; Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 226-227
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composition: Op. 44, Polonaise in F♯ minor
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The initial version of the 3rd beat of b. 226 and of entire b. 227 written down in AImaz as well as the changes introduced to it are discussed in the note to b. 168. category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Main-line changes |
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b. 228-230
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz the bass line is led an octave higher – f category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Bass register changes |
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b. 228-230
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composition: Op. 44, Polonaise in F♯ minor
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In AImaz the harmonic filling in b. 228 – crotchet on the 2nd beat of the bar – is written down as a minim. In b. 229 on the 3rd beat of the bar there is a crotchet instead of a L.H. rest. In b. 230 the L.H. part rhythm is the same as in the final version in b. 171, while in the R.H. part a1 is repeated on the 3rd beat of the bar. category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
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b. 229
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composition: Op. 44, Polonaise in F♯ minor
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On the 2nd beat of the bar AImaz features an f category imprint: Corrections & alterations; Source & stylistic information issues: Accompaniment changes |
2-a2, since it is uncertain whether Chopin was changing c