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Issues : Enharmonic corrections
b. 35-36
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composition: Op. 10 No 4, Etude in C♯ minor
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In both these bars, on the 12th, 13th and 16th semiquavers, AI has a c category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Enharmonic corrections |
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b. 37
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The second quaver is written in Amar as f category imprint: Differences between sources; Corrections & alterations issues: Enharmonic corrections |
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b. 38
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composition: Op. 10 No 3, Etude in E major
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The bottom note of the 2nd semiquaver is written in AI as e category imprint: Differences between sources; Corrections & alterations issues: Enharmonic corrections |
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b. 42
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composition: Op. 10 No 4, Etude in C♯ minor
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When interpreted literally, AI has in the last group of semiquavers two notes different than in the published version: the 2nd semiquaver a
In the main text we give the version of FE (→GE,EE), completed with the cautionary category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources; Editorial revisions; Corrections & alterations |
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b. 47
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composition: Op. 10 No 2, Etude in A minor
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In CLI the 7th semiquaver is written as d category imprint: Differences between sources; Corrections & alterations issues: Enharmonic corrections |