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Issues : Inaccuracies in GE
b. 4-5
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composition: Op. 28 No. 21, Prelude in B♭ major
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In the main text we give the slur of A (→FE→EE). The slur of FC starts a quaver earlier, whereas GE also moved its ending, which made it resemble the previous slurs, thus consolidating a distorted image of articulation of these figures – see the notes in b. 1-2 and 2-4. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FC |
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b. 5
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composition: Op. 27 No 2, Nocturne in D♭ major
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The accent over a1 is doubtless a long one in A; this is testified by the change made in GE2 (probably after a repeated analysis of A). The sign in FE is not quite clear, yet it resembles a long accent more than a short one. In spite of that, EE has a short accent over the note in question. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 5-6
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composition: Op. 43, Tarantella
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No slur in GE1 (→GE2→GE3) over the transition of bars 6-7 can most probably be recognised as the error of the copyist or engraver. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 5
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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A long accent at the beginning of the bar is very clear in A, having a characteristic shape and a typical size. Nevertheless, a short accent was printed in GE (→FE→EE). category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 5-17
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In bars 5, 7, 9 and 13, 15 & 17 in GE1 (→FE→EE) the category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |