mUltimate Chopin

Text Compare Notes Sources Description

Issues : Annotations in teaching copies

b. 1

composition: Op. 28 No. 12, Prelude in G♯ minor

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The 4th quaver in FE is an erroneous f1, as a result of which the next quaver is also wrong – it is an e1 instead of an e1. A comparison with analog. b. 9, 41 and 49 suggests a mistake; another argument is the presence of a , completely unjustified before f1. The mistake was rectified in EE; a corresponding correction is also in FED.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED

b. 1

composition: Op. 28 No. 18, Prelude in F minor

Fingering written into FED

No teaching fingering
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In the main text, we include the fingering coming from Chopin, and written into FED.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 2

composition: Op. 27 No 2, Nocturne in D♭ major

Fingering written by Chopin into FED

No teaching fingering provided
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category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 2

composition: Op. 10 No 11, Etude in E♭ major

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In FED there is an added  before a2 in the chord at the beginning of the bar. We also believe that it is advisable in this place, thus we give it in the main text.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Cautionary accidentals

b. 2

composition: Op. 10 No 4, Etude in C♯ minor

No fingering in AI & FE (→GE,EE)

Fingering written into FES

Fingering written into FED & FES in bars 10 & 60
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In the main text we give here the fingering written by Chopin in FED in analogous bar 60 (cf. General Editorial Principles, p. 17). Some of these numerals are also written in bar 2 (FES) and bar 10 (FED and FES).

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES