![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Errors of CLI
b. 37
|
composition: Op. 10 No 2, Etude in A minor
..
Lack of the category imprint: Interpretations within context; Differences between sources issues: Errors of CLI |
|||||
b. 38
|
composition: Op. 10 No 1, Etude in C major
..
The third of CLI, impossible from the pianistic point of view, is certainly a result of the copyist's distraction, who forgot to erase the erroneously written d1. category imprint: Interpretations within context; Differences between sources issues: Errors of CLI |
|||||
b. 39
|
composition: Op. 10 No 2, Etude in A minor
..
In CLI and FEcor the category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Errors of CLI |
|||||
b. 40
|
composition: Op. 10 No 2, Etude in A minor
..
In CLI there are no naturals returning a1 and d2. The accidentals were also originally absent in FEcor, in which Chopin added both these two naturals and a third one returning f2 on the last semiquaver in the lower voice. Eventually, both FE (→GE,EE) and Ap have the correct notation. category imprint: Interpretations within context; Differences between sources issues: Omissions to cancel alteration , Authentic corrections of FE , Errors of CLI |
|||||
b. 41
|
composition: Op. 10 No 2, Etude in A minor
..
Lack of the category imprint: Interpretations within context; Differences between sources issues: Errors of CLI |