Issues : Annotations in FES
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b. 154-158
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composition: Op. 64 No 2, Waltz in C♯ minor
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The five-time use of the 1st finger, marked in FES certainly on the basis of Chopin's hint, is included by us in the main text in bars 26-30 (cf. General Editorial Principles, p. 17). category imprint: Differences between sources |
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b. 154-155
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composition: Op. 19, Bolero
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FES , Annotations in FEO |
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b. 160
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composition: Op. 19, Bolero
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We adopt a Chopinesque fingering written in pencil in FES to the main text. The last two digits are also in FEO. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FES , Annotations in FEO |
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b. 171
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composition: Op. 26 No 2, Polonaise in E♭ minor
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FES includes a cautionary category imprint: Differences between sources issues: Annotations in teaching copies , Cautionary accidentals , Annotations in FES , Last key signature sign |
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b. 175
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The entry in FES is certainly made with Chopin's hand. The addition in FEJ is slightly less characteristic, yet it most probably also comes from Chopin. In spite of that, according to us, the change of the dynamics of the ending is to be considered to be an authentic variant and not a definitive withdrawal from the original concept. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Annotations in FES , Authentic post-publication changes and variants , Annotations in FEJ |
next to c
2 in the L.H. – most probably written with Chopin's hand.
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in 
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