Issues : Annotations in FED
b. 4
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composition: Op. 10 No 9, Etude in F minor
category imprint: Differences between sources |
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b. 4-5
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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The fingering, added in pencil, most probably by Miss O'Méara, could have been indicated to her by Chopin. According to us, the numeral under the last quaver in bar 4 can be interpreted in two ways – as '4' or as '1'. category imprint: Graphic ambiguousness; Differences between sources |
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b. 4-5
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composition: Op. 28 No. 23, Prelude in F major
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We give Chopin's fingering written into FED in the main text. However, nothing indicates that the fingering in EE could have come from Chopin. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |
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b. 5
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composition: Op. 25 No 6, Etude in G♯ minor
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The chromatic third progression has two fingering versions in the sources:
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Differences in fingering , Authentic corrections of FE |
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b. 5-6
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composition: Op. 25 No 11, Etude in A minor
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FE overlooked the general part of the octave sign over the initial, highest fragment of figuration (in the majority of the sources, including FE, it embraces also half of bar 6). The only visible trace of the indication is the word loco, which was used to end the octave sign in the times of Chopin. This patent error was corrected in FED and FEJ. category imprint: Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FED , Annotations in FEJ |