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Issues : Errors in PE
b. 63
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composition: WN 17, Polonaise in B♭ major
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The accuracy of e category imprint: Differences between sources issues: Terzverschreibung error , Errors in PE |
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b. 65
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composition: WN 17, Polonaise in B♭ major
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When read literally, the dynamic signs of PE in this bar create problems in interpretation. Combination of three signs in such a small space, out of which two, partially overlapping, indicate contrary dynamic changes, suggests inaccuracies or errors in reading [A]. According to us, the first sign is put inaccurately, while two subsequent ones – erroneously (mirror reflection of the sign). In the main text we propose the latter, interpreted as a long accent and category imprint: Interpretations within context; Differences between sources issues: Sign reversal , Errors in PE |
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b. 65
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composition: WN 17, Polonaise in B♭ major
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From the piano performance's point of view, the four-note chord of PE is awkward (without using pedal, almost impossible to perform). Moreover, the b
category imprint: Interpretations within context; Differences between sources issues: Errors in PE , Partial corrections |
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b. 66
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composition: WN 17, Polonaise in B♭ major
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PE has a quaver rest in this place, which is a patent error. The same applies to bar 102. category imprint: Interpretations within context; Source & stylistic information issues: Errors in PE |
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b. 70
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composition: WN 17, Polonaise in B♭ major
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In PE, the tie sustaining the quaver beginning the sequence of demisemiquavers is absent both here and in analogous bar 74. In spite of that, the sign's oversight – by the engraver or even by Chopin in [A] – seems to be very likely due to the doubtless hold of this note in JC and EF and a structural analogy with bar 62. category imprint: Interpretations within context; Differences between sources issues: Errors in PE |