Issues : Abbreviated octaves' notation
b. 68-76
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composition: Op. 10 No 1, Etude in C major
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The octaves in bars 68 and 72 in CLI are written in an abbreviated form – only the upper note and 8 below it. In FE the notation was preserved only in bar 72. category imprint: Source & stylistic information issues: Abbreviated octaves' notation |
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b. 69-70
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composition: Op. 10 No 1, Etude in C major
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The sustained octave in CLI is certainly the original version of the bass line. category imprint: Differences between sources issues: Accompaniment changes , Abbreviated octaves' notation |
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b. 69
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composition: Op. 44, Polonaise in F♯ minor
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As with other analogous places, in FE (→EE) the L.H. part octaves (from the 2nd beat of the bar to the end of the bar) are written in a simplified manner with the use of con 8va. category imprint: Differences between sources issues: Abbreviated octaves' notation |
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b. 71
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composition: Op. 10 No 4, Etude in C♯ minor
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The C1-C octave at the beginning of the bar is briefly written in AI and FE (→EE,GE1→GE2→GE3) with the help of 8. category imprint: Source & stylistic information issues: Abbreviated octaves' notation |
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b. 73-76
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composition: Op. 10 No 1, Etude in C major
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In FE there are no ties sustaining the upper notes of the octaves in bars 73-74 and 75-76. According to us, the most probable explanation is a misunderstanding at the time of changing the original abbreviated notation of the octaves with the use of 8 under the upper notes for regular notation. In CLI the octaves, written in the described brief manner, are not sustained at all, which most probably is a mistake.
category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , GE revisions , Abbreviated octaves' notation |