Issues : Bass register changes
b. 65
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composition: Op. 64 No 2, Waltz in C♯ minor
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We assume that out of two notes written in As at the beginning of bar 65, d is intended for this bar, whereas D – for bar 81, which, like the entire second half of this section, is not explicitly written in the draft. AI features d in both bars, whereas the version intended for print – D in both bars. category imprint: Interpretations within context; Differences between sources; Corrections & alterations |
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b. 70
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composition: Op. 63 No. 1, Mazurka in B major
category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Bass register changes |
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b. 75
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composition: Op. 63 No. 1, Mazurka in B major
category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Bass register changes |
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b. 78-80
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composition: Op. 63 No. 1, Mazurka in B major
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In AI Chopin continues leading the bass line in octaves. In the published version the section encompassing bars 77-82 includes bass octaves only in bars 77 and 81, as was the case with bars 9-14. category imprint: Differences between sources; Corrections & alterations issues: Bass register changes |
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b. 81
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composition: Op. 29, Impromptu in A♭ major
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In FED Chopin wrote the variant way of performing the arpeggio on the chord in the L.H. – with the added lower octave. We present a proposal of interpretation after the notation used by Chopin in the Etude in G major Op. 10 No. 5, bar 65. category imprint: Differences between sources issues: Annotations in FED , Authentic post-publication changes and variants , Bass register changes , Abbreviated octaves' notation |