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Issues : Rhythmic errors
b. 22
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composition: Op. 28 No. 24, Prelude in D minor
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In A there is no dot extending the a crotchet, which is a patent oversight. The dot is present in all the remaining sources. category imprint: Interpretations within context; Differences between sources issues: Rhythmic errors , Errors of A , FE revisions , Fontana's revisions |
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b. 23
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composition: Op. 21, Concerto in F minor, Mvt I
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The first octave in the L.H. in A is a quaver, so that the bar includes only 7 quavers. The mistake was corrected in GE (→FE→EE), by replacing the quaver with a crotchet, which we consider an accurate interpretation of the notation of A: Chopin probably erroneously repeated the rhythmic value of the chord in the R.H., as it was in the four previous bars. category imprint: Interpretations within context; Differences between sources issues: GE revisions , Rhythmic errors , Errors of A |
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b. 25-27
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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In bars 25-28 A initially had the rhythm category imprint: Differences between sources issues: Errors resulting from corrections , Rhythmic errors , Errors of A |
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b. 27
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composition: Op. 10 No 3, Etude in E major
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In GE5 the last note is an erroneous quaver. category imprint: Differences between sources issues: Errors in GE , Rhythmic errors |
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b. 28
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composition: Op. 24 No. 4, Mazurka in B♭ minor
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Determining Chopin's intention related to the rhythm on the 3rd beat of the bar seems impossible here. A erroneously has a quaver and two demisemiquavers ( category imprint: Interpretations within context; Differences between sources issues: Errors resulting from corrections , GE revisions , Rhythmic errors , Authentic corrections of FE |