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Issues : Scope of dynamic hairpins
b. 6-7
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composition: WN 37, Lento con gran espressione
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A1 is devoid of dynamic hairpins and accents in b. 5-18, which is a result of the working nature of this autograph. To the main text we adopt a mark that was an attempt to reconstruct [A2] on the basis of its two representations in CJ and CK. However, the interpretation of both is subject to some uncertainty due to the use of abridged notation of the L.H. part and in CJ also due to the lack of synchronisation in the notation of the parts of both hands. Consequently, the versions of both copies, and even the interpretation of CK given in CB, may be considered a potentially accurate interpretation of Chopin's intention. The absence of the mark in EL is probably a mistake. category imprint: Differences between sources |
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b. 7
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composition: Op. 29, Impromptu in A♭ major
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The crescendo hairpins differ slightly in their range. In comparison with A (→GE), in FE the hairpins are extended on the entire penultimate triplet group. In EE they are totally absent (cf. remark concerning bars 7-9). category imprint: Differences between sources issues: Scope of dynamic hairpins |
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b. 7-8
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composition: Op. 25 No 2, Etude in F minor
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The missing category imprint: Differences between sources issues: Scope of dynamic hairpins , Errors of GC |
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b. 7-8
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composition: Op. 64 No 3, Waltz in A♭ major
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The category imprint: Differences between sources issues: Inaccuracies in FE , Scope of dynamic hairpins , Errors in GE |
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b. 7-8
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composition: Op. 35, Sonata in B♭ minor, Mvt III
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The notation of GC, representing the abbreviated notation of [A], indicates, according to us, two category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , Scope of dynamic hairpins , GE revisions |