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Issues : Inaccuracies in A
b. 6
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The sources differ in the range of category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , GE revisions , Inaccuracies in A |
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b. 6
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composition: Op. 50 No. 3, Mazurka in C♯ minor
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The shorter bottom arm of the accent in AF caused the mark in FE (→EE) to have been reproduced as short. The absence of the accent in GE2 is most probably an oversight. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in A |
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b. 6-13
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composition: Op. 28 No. 8, Prelude in F♯ minor
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As was the case in b. 3-4, in A Chopin generally omits accidentals next to the bass quavers if the accidentals have been written an octave higher next to one of the preceding semiquavers. In the discussed bars it concerns f in b. 6, c1 and b category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Fontana's revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 6-11
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composition: Op. 28 No. 9, Prelude in E major
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As was the case in the Prelude No. 8 in F category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 6-7
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composition: Op. 23, Ballade in G minor
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In A, the category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in A |