Issues : Authentic corrections of FE
b. 1
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composition: Op. 10 No 8, Etude in F major
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While proofreading FE (→GE,EE), Chopin slightly reduced the Etude's tempo. Cf. changes of a similar nature in the Etudes in F minor, No. 9 and in A, No. 10. category imprint: Differences between sources issues: Metronome tempos , Authentic corrections of FE |
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b. 1-3
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composition: Op. 10 No 8, Etude in F major
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Three digits defining the fingering of the first passages of the Etude (based on one finger arrangement) were added by Chopin in a proofreading of FE (→GE,EE). In EE, Fontana added to them a number of next ones, developing the composer's hints, specifying, e.g., the places of crossing under of the 1st finger. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 1-4
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composition: Op. 10 No 8, Etude in F major
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The pedalling of these bars was added by Chopin during a proofreading of FE (→GE,EE). The editors have doubts whether the moment of the pedal's release in bar 4 was correctly marked (due to harmonic reasons). Therefore, we suggest to release the pedal slightly earlier. Most probably, the reviser of GE3 (→GE4) thought alike, moving the mark at the end of bar 3. category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: GE revisions , Authentic corrections of FE |
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b. 1
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composition: Op. 10 No 8, Etude in F major
category imprint: Differences between sources issues: No initial dynamic marking , Authentic corrections of FE |
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b. 1
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composition: Op. 10 No 10, Etude in A♭ major
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Omission of the mark written in A may be considered as an ordinary error of the engraver of FE (→GE,EE). However, the consequence with which each mark indicating or strengthening the forte dynamics in the first 16 bars of the Etude (the first appears together with the new key in bar 17) suggests a possibility of them being removed by Chopin or at least his acceptance of their absence. In this case in the main text we leave the version of editions without determining the starting level of dynamics for bars 1-8. Cf. notes to bars 8 and 16. category imprint: Differences between sources issues: No initial dynamic marking , Authentic corrections of FE |