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Issues : Scope of dynamic hairpins
b. 365
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composition: Op. 11, Concerto in E minor, Mvt III
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The range of the category imprint: Editorial revisions issues: Scope of dynamic hairpins |
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b. 390-391
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composition: Op. 11, Concerto in E minor, Mvt III
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In FE, the meaning of the short diminuendo hairpin at the beginning of the 2nd half of the bar is unclear. The marks' size resembles long accents, yet they are placed directly under the 3rd semiquaver triplet. Therefore, we consider long accents or category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Scope of dynamic hairpins , GE revisions |
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b. 474-475
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composition: Op. 11, Concerto in E minor, Mvt III
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The significantly shorter category imprint: Differences between sources; Editorial revisions issues: Scope of dynamic hairpins , GE revisions |
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b. 521
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composition: Op. 31, Scherzo in B♭ minor
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According to us, the placement of the category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Annotations in FED , Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , Inaccuracies in FC |
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b. 597-598
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composition: Op. 31, Scherzo in B♭ minor
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In accordance with the analysis of the Chopinesque category imprint: Differences between sources; Editorial revisions issues: Inaccuracies in FE , Scope of dynamic hairpins , GE revisions , Inaccuracies in FC |