



Issues : Omission of current key accidentals
b. 12-14
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composition: Op. 28 No. 6, Prelude in B minor
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The version of A (→FC→GE1), in which these three bars are based on the c category imprint: Differences between sources issues: GE revisions , Foreign hand additions in manuscripts , Omission of current key accidentals , Errors of A , FE revisions , Last key signature sign |
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b. 12
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A (→FC,FE) there is no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , Inaccuracies in A , Errors repeated in FE |
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b. 12
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composition: Op. 28 No. 15, Prelude in D♭ major
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The version of A (→FE,FC→GE1), without a category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Annotations in teaching copies , EE revisions , Annotations in FED , GE revisions , Omission of current key accidentals , Errors of A , Annotations in FES , Errors of FC , Errors repeated in FE |
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b. 13-14
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composition: Op. 64 No 3, Waltz in A♭ major
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The sharps raising d category imprint: Interpretations within context; Differences between sources issues: Omission of current key accidentals , Authentic corrections of FE |
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b. 13
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In A (→FC,FE→EE1) there is no accidental before the 1st note in the last group. It must be Chopin's oversight – this and the next bar constitute a cadence in C category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , Errors repeated in FE , Errors repeated in EE |