![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Revisions in EL
b. 48
|
composition: WN 37, Lento con gran espressione
..
In A1 Chopin repeated here the rhythm of analogous b. 15. It must be the initial version, which is additionally proven by the chromatic orthography, left unchanged (c category imprint: Interpretations within context; Differences between sources; Corrections & alterations issues: Main-line changes , Balakirev's revisions , Revisions in EL |
|||||||||||
b. 56
|
composition: WN 37, Lento con gran espressione
..
We consider the accent under the grace note in CK to be an inaccurately written category imprint: Differences between sources issues: Balakirev's revisions , Inaccuracies in CK , Revisions in EL |
|||||||||||
b. 56
|
composition: WN 37, Lento con gran espressione
..
The version of EL is probably Kolberg's revision. However, one cannot rule out a mistake (e.g. of the engraver) due to the resemblance of the accompaniment in b. 55-56 and 51-52. category imprint: Differences between sources issues: Revisions in EL |
|||||||||||
b. 57-60
|
composition: WN 37, Lento con gran espressione
..
In the main text we give the beams of the four runs after the concordant notation of A1 and [A2] (→CJ,CK) – semiquavers in b. 57-58 and quavers in b. 59-60. In the remaining sources the notation was arbitrarily standardised – CB features quavers only, whereas EL – semiquavers. category imprint: Differences between sources issues: Balakirev's revisions , Revisions in EL |
|||||||||||
b. 57
|
composition: WN 37, Lento con gran espressione
..
A1 contains only category imprint: Differences between sources issues: Scope of dynamic hairpins , Balakirev's revisions , Revisions in EL |