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Issues : Changed phrase length
b. 63
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composition: Op. 2, Variations, complete
category imprint: Interpretations within context; Differences between sources; Corrections & alterations; Source & stylistic information issues: Accompaniment changes , Main-line changes , Changed phrase length |
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b. 79
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composition: Op. 2, Variations, complete
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It is difficult to assume that the removal of the repeat sign for b. 79-95 was not consulted with Chopin. However, the issue is generally obscure, since A is the only source in which the repeat sign was marked – it is absent both in AsI and in the orchestral material GEorch (→FEorch). Therefore, if the repeat signs are not a mistake, at some point Chopin considered expanding the Theme by 16 bars to eventually, after having sent A to the publisher, return to the initial concept. category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Authentic corrections of GE , Changed phrase length |
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b. 83
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composition: Op. 28 No. 17, Prelude in A♭ major
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This bar is absent in FCI, which could be seen as one more example of haplography – cf. the versions of FC in the Prelude in G
category imprint: Differences between sources; Corrections & alterations issues: Changed phrase length |
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b. 87-92
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composition: Op. 63 No. 1, Mazurka in B major
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In AI the ending of the Mazurka is 4 bars shorter – bars 88-91 are absent, while bars 87 and 92 are present in a different form, which makes it possible to put them together directly adjacent to each other. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Dotted or even rhythm , Changed phrase length |
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b. 95
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composition: Op. 2, Variations, complete
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In the main text we give the compliant version of all sources of the version for 1 piano. The alternative, variant proposal with a trilled f1 quaver is based on the sources of the orchestral part – Violin I in AsI and the respective voice in GEorch (→FEorch). We can only speculate what the cause of this discrepancy was; however, one of the possibilities, quite unlikely according to us, is Chopin's inadvertence. category imprint: Editorial revisions issues: Changed phrase length |