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Issues : Inaccuracies in A
b. 4
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Authentic corrections of FE , Inaccuracies in A |
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b. 4
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composition: Op. 28 No. 21, Prelude in B♭ major
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Interpreting the top note of the 6th L.H. quaver, e To eliminate the possibility of creating incoherent combinations of variants from different notes, we include the fingering of EE and FES, which applies to the e category imprint: Differences between sources issues: EE revisions , Rhythmic errors , Deletions in A , Errors of FC , Inaccuracies in A |
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b. 5-13
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composition: Op. 28 No. 8, Prelude in F♯ minor
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In this Prelude Chopin generally did not use accidentals before the top notes in broken octaves – see b. 1-4. In the discussed bars, the problem concerns the following cases:
Such a notation is in A (→FC,FE), whereas EE1, EE2, GE1 and GE2 added the majority of the necessary accidentals (17, 20, 21 and 22 out of the necessary 23, respectively). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE |
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b. 5
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composition: Op. 2, Variations, complete
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In A, the pair of dynamic hairpins was written as close as possible to the top voice so that it was clear that it concerned this very voice; the slightly shortened category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in GE , Scope of dynamic hairpins , EE inaccuracies , Inaccuracies in A |
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b. 5-6
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composition: Op. 2, Variations, complete
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In A, the short category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Inaccuracies in GE , Inaccuracies in FE , Scope of dynamic hairpins , EE inaccuracies , Inaccuracies in A |