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Issues : Centrally placed marks
b. 22-23
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composition: Op. 10 No 8, Etude in F major
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Both dynamic indications in these bars were added by Chopin during a proofreading of FE (→GE,EE). The category imprint: Interpretations within context; Differences between sources issues: Authentic corrections of FE , Centrally placed marks |
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b. 23
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composition: Op. 11, Concerto in E minor, Mvt II
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According to us, the placement of the legatissimo indication, if it reproduces the notation of the autograph accurately, is of a conventional nature – there is no reason for that indication not to concern also the first half of the bar. Due to that reason, we place it slightly earlier in the main text. category imprint: Editorial revisions issues: Centrally placed marks , Legato & slurs |
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b. 27-28
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composition: Op. 10 No 9, Etude in F minor
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Despite the difference in arrangement and number of indications, the character and flow of this phrase were not subject to any change, as it seems. The fact of having written category imprint: Differences between sources; Corrections & alterations issues: Centrally placed marks |
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b. 29
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composition: Op. 35, Sonata in B♭ minor, Mvt III category imprint: Interpretations within context; Editorial revisions issues: Centrally placed marks |
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b. 31-32
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composition: Op. 45, Prelude in C♯ minor
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Placing category imprint: Differences between sources issues: Centrally placed marks |