Issues : Hairpins denoting continuation
b. 41
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composition: Op. 10 No 3, Etude in E major
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According to us, the mark used by Chopin is to be understood as continuation of the previous one, which is indicated by the homogeneity of figurations and structural issues (four-bar section with 1+1+2 structure). In the times of Chopin, two signs | at the transition between the lines were commonly interchangeably used with | . category imprint: Interpretations within context; Differences between sources issues: Hairpins denoting continuation |
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b. 44-45
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composition: Op. 45, Prelude in C♯ minor
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In the main text we give the hairpins of GE. As an alternative we propose a version which can be considered an attempt to reinterpret the mark. category imprint: Differences between sources issues: Hairpins denoting continuation |
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b. 49-50
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composition: Op. 2, Variations, complete category imprint: Differences between sources issues: FE revisions , Hairpins denoting continuation , Revisions in FESB |
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b. 68-69
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composition: Op. 45, Prelude in C♯ minor
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In the main text we give the hairpins of GE. As an alternative, we propose a version which can be considered an attempt to reinterpret the sign. category imprint: Differences between sources issues: Hairpins denoting continuation |
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b. 69-70
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composition: Op. 35, Sonata in B♭ minor, Mvt II category imprint: Differences between sources issues: FE revisions , Hairpins denoting continuation |