Issues : Synchronization markings
b. 27
|
composition: Op. 21, Concerto in F minor, Mvt III
..
The synchronisation sign, ordering playing the first grace note with the bass f simultaneously, is present in FED. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |
|||||
b. 32
|
composition: Op. 24 No. 4, Mazurka in B♭ minor
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Synchronization markings |
|||||
b. 33
|
composition: Op. 27 No 2, Nocturne in D♭ major
category imprint: Differences between sources issues: Annotations in FED , Synchronization markings |
|||||
b. 35-36
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
Written into FES are six signs showing the rhythmic relation between the two hands more precisely. As the source notation contains no ambiguities here, the signs are simply learning tips for the pupil to be used during lessons. Cf. bars 38-40. category imprint: Differences between sources issues: Synchronization markings , Annotations in FES |
|||||
b. 36
|
composition: Op. 27 No 2, Nocturne in D♭ major
..
Another mark in FED indicating that the grace note should be performed simultaneously with the bass note. category imprint: Differences between sources issues: Annotations in FED , Synchronization markings |