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Issues : Long accents
b. 1
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composition: Op. 30 No. 1, Mazurka in C minor
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It is uncertain whether the FC accent is to be interpreted as short or long. The latter, which we adopted, is supported by the length of the accented note, the kujawiak-like nature of the Mazurka and a similar (although slightly longer) accent in the Scherzo in B category imprint: Graphic ambiguousness; Differences between sources issues: Long accents |
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b. 2
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composition: Op. 24 No. 3, Mazurka in A♭ major
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A (→GE→FE→EE) has a category imprint: Differences between sources; Editorial revisions issues: Long accents |
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b. 2-4
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composition: Op. 10 No 12, Etude in C minor
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Lack of the accent in the middle of bar 4 is probably an inaccuracy of the notation of A – it seems highly unlikely that this bar was supposed to be less accentuated than bar 2. In the main text we suggest all accents added probably in a proofreading of FE (→GE,EE). The added accents do not differ from the adjacent ones, therefore, we accept both possibilities of their interpretation – cf. bars 1-6. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Authentic corrections of FE |
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b. 2-4
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composition: Op. 10 No 12, Etude in C minor
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The category imprint: Differences between sources issues: Long accents , Authentic corrections of FE |
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b. 2-5
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composition: Op. 10 No 3, Etude in E major
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In the main text over the semiquaver motifs in bars 2, 3 and 5 we give consequent pairs of category imprint: Differences between sources; Corrections & alterations issues: Long accents , Authentic corrections of FE |