Issues : Annotations in FEH
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b. 32
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composition: Op. 11, Concerto in E minor, Mvt III
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In FEH, the fingering was indicated more accurately in bar 24, in FED – here. In the main text, we include it for the first time, i.e. in bar 24. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |
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b. 33-37
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composition: Op. 11, Concerto in E minor, Mvt III
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In the main text, we give the fingering digit written in bar 33 in FED. The same fingering, marked more accurately, is to be found four bars later in FEH. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |
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b. 35
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composition: Op. 11, Concerto in E minor, Mvt III
category imprint: Differences between sources |
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b. 37
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composition: Op. 11, Concerto in E minor, Mvt II
category imprint: Differences between sources |
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b. 38
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composition: Op. 11, Concerto in E minor, Mvt II
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The fingering in FES was written in pencil, by Chopin's hand, except for the 1 digit, written in quill by the owner of the collection including this copy. Miss Stirling would often 'enhance' the Chopinesque entries with ink to increase their legibility and sometimes even to save them from disappearing due to the wear of graphite (e.g. in the next bar). We include this fingering, being authentic, in the main text. In turn, the fingering in FEH, written by a foreign hand, raises doubts, since it did not take into account a longer hold of the f category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FES , Annotations in FEH |
note, copied by Chopin. Fontana's fingering in