![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Authentic corrections of FC
b. 9-11
|
composition: Op. 25 No 4, Etude in A minor
..
The legato and staccato indications, in A written both in bar 9 and two bars later, were deleted in the second place by Chopin in FC (→GE); they are also absent in EE. In turn, in FE staccato was reproduced in both bars, yet both legato indications were omitted. It can be an oversight of the engraver or Chopin's correction – the legato articulation is indicated by slurs. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FC |
|||||||||||
b. 9
|
composition: Op. 25 No 5, Etude in E minor
..
Both versions of the 1st note of this bar are undoubtedly authentic, yet determining which one could have been considered final by Chopin faces major difficulties. The version with f category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Chopin's hesitations , Accompaniment changes , Authentic corrections of FC |
|||||||||||
b. 11-12
|
composition: Op. 25 No 4, Etude in A minor
..
In the main text we give a pair of category imprint: Differences between sources issues: Authentic corrections of FC |
|||||||||||
b. 13
|
composition: Op. 30 No. 4, Mazurka in C# minor
..
As in bar 1, the category imprint: Differences between sources issues: Authentic corrections of FE , Authentic corrections of FC |
|||||||||||
b. 15-16
|
composition: Op. 25 No 4, Etude in A minor
..
According to us, the wedges visible in A in bar 15 (repeated in FE) and at the beginning of bar 16 (omitted) remained non-deleted as a result of Chopin's distraction. The distraction is proven by the rhythmic error committed earlier in this bar, while the intention to delete the staccato signs is proven by deletions of the signs or entire chords in the 1st half of bar 15 and a few previous bars. In the main text, we give three wedges in bar 16, added probably by Chopin in FC (→GE) and signalised also in EE (cf. bar 16). category imprint: Differences between sources issues: Authentic corrections of FC |