Issues : Bass register changes
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b. 25-26
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composition: Op. 25 No 8, Etude in D♭ major
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Chopin doubled the bass progression in the bottom octave in the proofreading of FE (cf. bar 19, in which Chopin also reinforced the bass note, adding an octave). The change, which is certainly to be considered to be final, was also introduced – in the form of added quavers under notes – in EE2 (→EE3). category imprint: Differences between sources issues: Accompaniment changes , Authentic corrections of FE , Bass register changes |
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b. 32
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composition: Op. 64 No 2, Waltz in C♯ minor
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The change of c category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes , Authentic corrections of FE , Bass register changes |
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b. 33
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composition: Op. 28 No. 21, Prelude in B♭ major
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A originally had F as the first quaver. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Accompaniment changes , Bass register changes |
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b. 33-34
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composition: Op. 2, Variations, complete
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The bottom notes of the L.H. octaves were not written out in the sources; they were marked with the use of the con 8va indication. In AsI the octave doubling of the bass line is not indicated at all, which may be only a shorthand notation, because also in the solo part at the beginning of bar 35 there is only A category imprint: Differences between sources; Source & stylistic information issues: Bass register changes , Abbreviated octaves' notation |
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b. 35
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composition: Op. 2, Variations, complete
category imprint: Differences between sources issues: Bass register changes |
in 
, and it seems unlikely that Chopin started the octave progression with a single note.
