![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Dotted rhythms and triplets
b. 51
|
composition: Op. 27 No 1, Nocturne in C# minor
..
In bar 51 of GE (→FE→EE) the semiquaver in category imprint: Interpretations within context issues: GE revisions , Dotted rhythms and triplets |
|||||
b. 51
|
composition: Op. 27 No 1, Nocturne in C# minor
..
In GE (→FE) notes of the R.H. rhythm category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Dotted rhythms and triplets |
|||||
b. 51-53
|
composition: Op. 2, Variations, complete
..
On the 2nd beat of each of these bars, the R.H. top voice is written down in AsI in twice as long rhythmic values than suggested by the time signature and the relation to the bottom voice: category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Dotted rhythms and triplets |
|||||
b. 53-62
|
composition: Op. 27 No 1, Nocturne in C# minor
..
In GE (→FE) in bars 53-62, similarly to GE in bars 29-36, notes of the R.H. rhythm category imprint: Interpretations within context; Differences between sources |
|||||
b. 88
|
composition: Op. 27 No 1, Nocturne in C# minor
..
In bar 88 in GE (→FE→EE) the semiquaver in See bars 5-13. category imprint: Interpretations within context issues: GE revisions , Dotted rhythms and triplets |