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b. 683-695

composition: Op. 31, Scherzo in B♭ minor

No markings in A (→FEEE)

Pedalling in FC (→GE)

..

In the main text we give the pedalling written by Chopin in FC (→GE) in b. 232-244, of which the discussed bars are a repetition. It is only b. 686-687 that we discuss separately, in which the composer probably overlooked a necessary pedal change.

category imprint: Differences between sources

b. 683-685

composition: Op. 31, Scherzo in B♭ minor

No signs in A (→FEEE)

  in FC (→GE1)

  in GE2 (→GE3)

..

In the main text we give the   marks written by Chopin in FC (→GE1) in b. 232-234, of which the discussed bars are a repetition. Just like there, the  sign was arbitrarily moved by GE2 (→GE3).

category imprint: Differences between sources

issues: GE revisions

b. 684

composition: Op. 31, Scherzo in B♭ minor

a2 in chord in A (→FCGE)

No a2 in chord in FE (→EE)

..

The version of FE must be a result of an overlooked note by the engraver, who was less careful this time (analogous b. 233 was reproduced correctly in FE, on the basis of the same notation of A).

category imprint: Differences between sources

issues: Errors in FE

b. 686-687

composition: Op. 31, Scherzo in B♭ minor

No markings in A (→FEEE)

Two-bar pedalling in FC (→GE1)

One-bar pedalling in GE2 (→GE3)

..

These bars are an exact repetition of b. 235-236, and the Chopinesque pedalling written there in FC (→GE1) is most probably inaccurate. Therefore, in the main text we suggest the markings given by Chopin in analogous b. 103-104. Such a revision was introduced already in GE2 (→GE3).

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 686-689

composition: Op. 31, Scherzo in B♭ minor

No signs in A (→FCGE1, →FEEE)

 in GE2 (→GE3)

..

Just like in b. 235-238, the pair of two-bar  hairpins was repeated in GE2 (→GE3) after the authentic marks in b. 103-106.

category imprint: Differences between sources

issues: GE revisions