Issues : Abbreviated notation of A
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b. 357-358
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composition: Op. 2, Variations, complete
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As before (bars 343-348) in both manuscripts Chopin used abbreviations to write down repeated R.H. triplets. In AsI he wrote all triplets except the first one in each bar in this manner, while in A all except the first two in bar 357 (most probably due to the slurs) and the first one in bar 358. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 375-398
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composition: Op. 39, Scherzo in C♯ minor
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In GC bars 375-432 are notated in an abbreviated form. Instead of notes there are digits written out corresponding to numbered bars 33-90. In b. 375, as an example, G category imprint: Differences between sources; Source & stylistic information issues: Abbreviated notation of A |
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b. 399-432
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composition: Op. 39, Scherzo in C♯ minor
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In GC this whole part is notated in an abbreviated form as a repetition of bars 57-90. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 496-501
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composition: Op. 21, Concerto in F minor, Mvt III
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In the part of the L.H. the bars are written in A in an abbreviated manner as repetitions of bar 495. They were developed in GE (→FE→EE). category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 573-584
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composition: Op. 39, Scherzo in C♯ minor
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In GC the bars are marked with consecutive letters from a to m. The letters are then used to mark bars 605-616 in short. category imprint: Differences between sources issues: Abbreviated notation of A |
1-G