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Issues : Main-line changes
b. 120-121
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composition: Op. 23, Ballade in G minor
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The deletions visible in A in these bars and empty space after the most probably erased g
category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Deletions in A , Main-line changes |
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b. 122
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composition: Op. 22, Polonaise
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Two quavers in EE is the initial version, most probably authentic. In FE one can see that the dotted rhythm was introduced only just at the stage of proofreading. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes , Dotted or even rhythm |
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b. 126
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composition: Op. 2, Variations, complete
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The separated a2 quaver leads to b category imprint: Differences between sources; Corrections & alterations issues: Main-line changes |
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b. 130
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composition: Op. 22, Polonaise
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EE1 features the initial version of the 6th semiquaver, changed in the penultimate stage of proofreading of FE (→GE). The changes of the correction performed on the plate are clearly visible in FE. In addition, the changed note (b category imprint: Differences between sources; Corrections & alterations issues: EE revisions , GE revisions , Cautionary accidentals , Authentic corrections of FE , Main-line changes |
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b. 132-133
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composition: Op. 2, Variations, complete
category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Main-line changes , Corrections of AI |