



Issues : Errors repeated in EE
b. 175-176
|
composition: Op. 12, Variations in B♭ major
..
In FE (→EE) in bars 175-176 in the L.H. the naturals were placed next to the d1 notes. It must be a mistake, since d1 does not require a category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions , Authentic corrections of FE , Errors repeated in EE |
|
b. 175-176
|
composition: (Op. 4), Sonata in C minor, Mvt I
..
In both bars the flats restoring b category imprint: Interpretations within context; Differences between sources issues: Errors of A , Errors repeated in GE , Errors repeated in EE , Errors repeated in IE |
|
b. 175
|
composition: (Op. 4), Sonata in C minor, Mvt IV
..
At the beginning of the bar, Chopin entered into A a cautionary category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Inaccuracies in A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE , Errors repeated in IE |
|
b. 177-178
|
composition: Op. 12, Variations in B♭ major
..
In FE Chopin omitted the accidentals to the top notes of the b2-b3 octaves in bars 177-178 and the e1-e2 octaves in bar 178 (broken or simultaneous). The necessary accidentals were added only in GE and only in the R.H. category imprint: issues: Accidentals in different octaves , Inaccuracies in FE , GE revisions , Errors repeated in GE , Errors repeated in EE |
|
b. 179
|
composition: Op. 11, Concerto in E minor, Mvt III
..
In FE (→EE), there are no accidentals before the first chord. Therefore, the middle note should be interpreted as d category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions , Omission of current key accidentals , Errors repeated in EE |