Issues : Errors repeated in FE

b. 237

composition: Op. 2, Variations, complete

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In GE1 (→FE1,GE2), the  raising b1 to b1 is before the 1st third. Interestingly enough, it is not a common mistake but a wrong revision, since the traces of corrections in print (visible particularly in GE2) reveal that initially the text was printed correctly, with a  before the 3rd semiquaver. In FE2, EE, FESB and GE3, the  was moved to the right place, while in EE another natural was added, a cautionary one to g1 in the 1st third. We include this cautionary accidental also in the main text, hence our text is identical to version of EE.

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Errors in GE , GE revisions , Authentic corrections of FE , FE revisions , Errors repeated in FE

b. 247

composition: Op. 23, Ballade in G minor

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In A (→FEEE) there is no  restoring b2 on the penultimate quaver. A comparison with similar phrases an octave higher and lower proves that it was an oversight by Chopin. The accidental was added by GE.

category imprint: Interpretations within context; Differences between sources

issues: Omissions to cancel alteration , Errors of A , Errors repeated in FE , Errors repeated in EE

b. 256

composition: Op. 23, Ballade in G minor

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A (→FE) did not restore the bass clef before the chords. Chopin's mistake was corrected both by GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , GE revisions , Errors of A , Errors repeated in FE

b. 262

composition: Op. 31, Scherzo in B♭ minor

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There is no octave sign over the R.H. minim in A (→FEEE1). The patent mistake (particularly after comparing it with b. 130) was corrected in FC (→GE), probably by Fontana's hand, as well as in EE2 (→EE3).

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors of A , Fontana's revisions , Errors repeated in FE , Errors repeated in EE

b. 266

composition: Op. 2, Variations, complete

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None of the sources contains a  restoring a2, which is Chopin's patent oversight.

category imprint: Interpretations within context; Editorial revisions

issues: Omissions to cancel alteration , Errors of A , Errors repeated in GE , Errors repeated in FE , Errors repeated in EE