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Issues : Chopin's hesitations
b. 1
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composition: Op. 28 No. 17, Prelude in A♭ major
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In A one can see that Chopin initially wrote category imprint: Corrections & alterations; Source & stylistic information issues: Changes of metre , Corrections in A , Chopin's hesitations , Deletions in A |
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b. 2-4
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composition: Op. 10 No 2, Etude in A minor
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In FEcor Chopin added staccato dots also under the semiquavers of the lower voice in the R.H. (in bar 4 only under the first one). In a later proofreading he changed his mind, so that in FE (→GE→EE) the dots are eventually absent. The staccato signs are also absent in Ap, in which they would be, however, contrary to the longer rhythmic values of the described two-note chords. category imprint: Interpretations within context; Differences between sources; Corrections & alterations |
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b. 2-6
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composition: Op. 10 No 2, Etude in A minor
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Lack of the lower octave at the beginning of bars 2 and 6 in Ap suggests Chopin's hesitation concerning its presence – the octaves are both in CLI, representing the earliest stage of the Etude's notation and in FE (→GE,EE), which ends the shaping process of the piece's text. Similarly in bar 10, 14, 37 and 41. category imprint: Differences between sources issues: Chopin's hesitations |
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b. 2-11
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composition: Op. 10 No 6, Etude in E♭ minor
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Chopin changed the version of the last semiquaver in bars 2 and 10 written in A while he was proofreading FE (→GE,EE). Traces of this proofreading are clearly visible in both bars. What is interesting is the fact that in bar 2 A had initially another version, in which a
In bar 2 the added note a category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Chopin's hesitations , Authentic corrections of FE |
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b. 3-4
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composition: Op. 10 No 2, Etude in A minor
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In Ap the rhythmic values of subsequent two-note chords of the lower voice in the R.H. create in those bars (as well as in subsequent repetitions) an alternating short-long scheme (semiquaver-crotchet). Sometimes the resounding length contrast is additionally underlined with accents. In the main text we give the homogenous, as far as the sound is concerned, version of FE (→GE,EE). category imprint: Differences between sources; Corrections & alterations issues: Chopin's hesitations , Accompaniment changes |