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Issues : Partial corrections
b. 37
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composition: Op. 2, Variations, complete
category imprint: Differences between sources issues: Terzverschreibung error , Partial corrections , |
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b. 57
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composition: WN 17, Polonaise in B♭ major
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PE has the e category imprint: Interpretations within context; Differences between sources issues: Terzverschreibung error , Errors in PE , Partial corrections |
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b. 65
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composition: WN 17, Polonaise in B♭ major
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From the piano performance's point of view, the four-note chord of PE is awkward (without using pedal, almost impossible to perform). Moreover, the b
category imprint: Interpretations within context; Differences between sources issues: Errors in PE , Partial corrections |
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b. 78-79
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composition: Op. 21, Concerto in F minor, Mvt III
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In the main text we give dynamic markings of A, which are unquestionable, as far as sources and music are concerned. In this context, the markings of GE1 (→FE →EE) – two subsequent category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Errors in FE , Errors in GE , GE revisions , Authentic corrections of GE , Inaccuracies in A , Partial corrections |
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b. 83-84
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composition: Op. 10 No 5, Etude in G♭ major
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Initially, Chopin wrote the part of the L.H. in A one octave too high. He also committed a mistake at the time of writing the part of the R.H. – he overlooked the a category imprint: Corrections & alterations issues: Corrections in A , Partial corrections |