Issues : Annotations in FEO
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b. 160
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composition: Op. 19, Bolero
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We adopt a Chopinesque fingering written in pencil in FES to the main text. The last two digits are also in FEO. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FES , Annotations in FEO |
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b. 174
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composition: Op. 19, Bolero
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category imprint: Differences between sources; Editorial revisions |
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b. 187
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composition: Op. 19, Bolero
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In FE (→GE,EE), the trilled note is a c2. In FEO, it was changed to b1, most probably by Chopin. We consider this correction to be final and we adopt it in the main text. category imprint: Interpretations within context; Differences between sources; Editorial revisions |
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b. 248-249
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composition: Op. 19, Bolero
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In the main text, we give the fingering written in pencil to FES (with one added digit for more clarity), coming most probably from Chopin. A different fingering, probably coming from Chopin, is in FESf. The poorly legible annotation in FEO may be interpreted in a variety of ways – we suggest these interpretations that lead to a pianistically natural fingering as variants. The fingering in EE comes from the editor and it is inauthentic. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FES , Annotations in FEO , Annotations in FESf |
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