![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Corrections of AI
b. 7-8
|
composition: Op. 63 No. 1, Mazurka in B major
category imprint: Differences between sources; Corrections & alterations issues: Corrections of AI |
||||||||
b. 8
|
composition: Op. 2, Variation IV, primitive version
..
In AsI one can see that the bass note on the 4th quaver in the bar was remade, that is B category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections of AI |
||||||||
b. 11
|
composition: Op. 2, Variation IV, primitive version
..
In AsI the 3rd hemidemisemiquaver in each group is b category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Chopin's hesitations , Accompaniment changes , Corrections of AI |
||||||||
b. 16
|
composition: WN 37, Lento con gran espressione
..
In A1 one can see a correction of the 2nd accompaniment figure in this bar. Initially, Chopin simply moved the hand an octave lower: category imprint: Corrections & alterations; Source & stylistic information issues: Deletions in A , Corrections of AI |
||||||||
b. 16
|
composition: Op. 50 No. 3, Mazurka in C♯ minor
category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Corrections of AI |