



b. 133
|
composition: Op. 12, Variations in B♭ major
..
In the sources the naturals to a2, e2 and a1 are missing. This patent inaccuracy is partly due to the conviction that accidentals at a given pitch are valid regardless of the presence or absence of an octave sign. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Accidentals in different octaves , Errors repeated in GE , Errors repeated in EE |
|||||
b. 133
|
composition: Op. 12, Variations in B♭ major category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions , Errors repeated in EE |
|||||
b. 134
|
composition: Op. 43, Tarantella
..
In A intitial b category imprint: Differences between sources issues: Inaccurate note pitch in A , Errors of FC |
|||||
b. 134
|
composition: Op. 39, Scherzo in C♯ minor
..
The minim d sharp1 that can be seen in FE1 is definitely erroneous, as we can conclude from the presence of e1 appearing consistently in all the remaining sources and the version of the analogous bar 142. The error was corrected in FE2. category imprint: Differences between sources issues: Errors in FE |
|||||
b. 134-135
|
composition: Op. 39, Scherzo in C♯ minor
..
The omission to tie the crotchet f sharp in EE is probably an error – cf. bars 142-143 and 150-151, in which the note is either tied or absent altogether. category imprint: Differences between sources issues: Errors in EE |