Issues : Authentic corrections of FC
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b. 103-104
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composition: Op. 31, Scherzo in B♭ minor
category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 105-106
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composition: Op. 30 No. 4, Mazurka in C# minor category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Authentic corrections of FC |
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b. 107-108
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composition: Op. 31, Scherzo in B♭ minor category imprint: Differences between sources issues: Authentic corrections of FC |
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b. 109-113
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composition: Op. 31, Scherzo in B♭ minor
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Chopin added a several-bar long crescendo both in FC (→GE) and in the proofreading of FE (→EE) (the latter started a bar later). In the main text we give the indication of FC, since it forms part of a much more detailed set of dynamic indications for the entire theme. The dashes marking the range of the crescendo are led in both groups of sources (except for GE1) to the category imprint: Differences between sources issues: Authentic corrections of FE , Authentic corrections of FC |
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b. 110-111
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composition: Op. 30 No. 4, Mazurka in C# minor
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According to us, the pedal markings added by Chopin to FC could be inaccurate in this case. In the main text we suggest the probably more carefully added markings of FC in bars 6-7 (also by Chopin). category imprint: Differences between sources; Editorial revisions; Corrections & alterations issues: Authentic corrections of FC |
in 
mark, which, however, falls on a different bar in each of the groups: see the note to b. 
