Issues : Fontana's revisions
b. 262
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composition: Op. 31, Scherzo in B♭ minor
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There is no octave sign over the R.H. minim in A (→FE→EE1). The patent mistake (particularly after comparing it with b. 130) was corrected in FC (→GE), probably by Fontana's hand, as well as in EE2 (→EE3). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors of A , Fontana's revisions , Errors repeated in FE , Errors repeated in EE |
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b. 445
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composition: Op. 31, Scherzo in B♭ minor
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There is no raising d to d in A (→FE→EE1). Chopin's patent inaccuracy was corrected by Fontana in FC (→GE); a was also added in EE2 (→EE3). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omission of current key accidentals , Errors of A , Fontana's revisions , Errors repeated in FE , Errors repeated in EE |
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b. 469-471
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composition: Op. 31, Scherzo in B♭ minor
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There is no accidental before the last note in b. 469 and before the penultimate one in b. 471 in A. This patent inaccuracy was corrected by Fontana in FC (→GE). Initially, both bars were deprived of the marks in FE; moreover, in b. 469 the discussed note was printed an octave too high (perhaps considering the use of an octave sign). That version was passed on to EE1, which added only the in b. 471. In FE in the last phase of proofreading the note in b. 469 was moved to the right pitch, adding a next to it, yet the mark in b. 471 was not added. In EE2 (→EE3) the pitch of the last note in b. 469 was corrected in accordance with the logic of the passage's structure, yet the was not added. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , Errors in EE , Authentic corrections of FE , Fontana's revisions , Inaccuracies in A |
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b. 477
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composition: Op. 31, Scherzo in B♭ minor
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The raising a3 to a3, overlooked in A (→FE), was added in FC (→GE) and EE. The mark was also added in FESf. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Accidentals in different octaves , Fontana's revisions , Inaccuracies in A , Errors repeated in FE , Annotations in FESf |
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b. 706
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composition: Op. 31, Scherzo in B♭ minor
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In the main text we give the version of the principal source, i.e. FC (→GE). Although the naturals visible in the copy were almost certainly written by Fontana, the fact that Chopin carefully revised the entire copy allows us to assume that the composer accepted that addition. The version is also supported by a more natural development of the melodic line: in final progressions Chopin uses a rhythmic cell consisting of 3 repeated notes, which in b. 705 awakens expectations of continuation with the use of a chord featuring g2-g3. EE2 (→EE3) arbitrarily added cautionary flats before the discussed notes. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors of A , Fontana's revisions |