![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Annotations in teaching copies
b. 4-5
|
composition: Op. 28 No. 23, Prelude in F major
..
We give Chopin's fingering written into FED in the main text. However, nothing indicates that the fingering in EE could have come from Chopin. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |
||||||||
b. 4-5
|
composition: Op. 28 No. 21, Prelude in B♭ major
..
In the main text we include the fingering entered most probably by Chopin into FES. In addition to digits, there is also a mark implying that the e category imprint: Differences between sources |
||||||||
b. 4
|
composition: Op. 28 No. 21, Prelude in B♭ major
category imprint: Differences between sources |
||||||||
b. 4
|
composition: Op. 28 No. 15, Prelude in D♭ major
..
In FES there is a small, diagonal line before a distinct fingering digit (2), which may be interpreted as 1, which would then refer to the e category imprint: Differences between sources |
||||||||
b. 5-6
|
composition: Op. 24 No. 3, Mazurka in A♭ major
..
 
category imprint: Differences between sources |